Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 12-13Indiana University Press, 1989 |
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Seite 112
... movement for movement's sake . No matter what theatrical uses Graham ultimately put movement to — and the range was diverse movement per se was not transformed ac- cording to each use . The same codified lexical elements told all ...
... movement for movement's sake . No matter what theatrical uses Graham ultimately put movement to — and the range was diverse movement per se was not transformed ac- cording to each use . The same codified lexical elements told all ...
Seite 117
... Movement comes from the body itself , " she wrote , " not the movement of the body trying to adapt itself to a foreign element . " " This statement was quite radical for its time and sounds in fact not so very different from ...
... Movement comes from the body itself , " she wrote , " not the movement of the body trying to adapt itself to a foreign element . " " This statement was quite radical for its time and sounds in fact not so very different from ...
Seite 119
... movement . " Movement , " Graham wrote , " is the one speech which cannot lie . In movement all that is false , or too obviously learned , becomes glaringly apparent . This is important in considering the modern dance , for it is with ...
... movement . " Movement , " Graham wrote , " is the one speech which cannot lie . In movement all that is false , or too obviously learned , becomes glaringly apparent . This is important in considering the modern dance , for it is with ...
Inhalt
1 FallWinter 198990 | 2 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
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