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Seite 48
... and to accept its use value as a motive for the nullification ( Aufhebung ) of the object character ( Dingcharakter ) of ... because of its anxiety in the face of the fatal characteristics of capitalism , seeks a despairing way out ...
... and to accept its use value as a motive for the nullification ( Aufhebung ) of the object character ( Dingcharakter ) of ... because of its anxiety in the face of the fatal characteristics of capitalism , seeks a despairing way out ...
Seite 25
the intersections among the person , the artist , the fictional character , and the commodity . Clearly , celebrity was part of what enabled the thereby - constituted Divine to make a certain , new sense of an impossible body .
the intersections among the person , the artist , the fictional character , and the commodity . Clearly , celebrity was part of what enabled the thereby - constituted Divine to make a certain , new sense of an impossible body .
Seite 79
must pay particular attention to the character's “ traumas of the pasť ' and synchronize these , through “ emotion memory ” with her " own motivating desires ” ( my italics ) .96 Interpreting and relaying her character's desires ...
must pay particular attention to the character's “ traumas of the pasť ' and synchronize these , through “ emotion memory ” with her " own motivating desires ” ( my italics ) .96 Interpreting and relaying her character's desires ...
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Inhalt
A Special Issue on Music | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
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