Critical Theory Since PlatoHazard Adams Harcourt Brace Jovanovich College Publishers, 1992 - 1271 Seiten This outstanding anthology traces major critical statements from classic theorists like Plato to the contemporary. This standard historical textbook in the field focuses on important individual thinkers, and not particular schools of thought or isms. Current selections bring the anthology into contemporary times and show students how critical theory has evolved and progressed over time. |
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Seite 35
... true . And now tell me , I conjure you — this imitation is con- cerned with an object which is thrice removed from the truth ? Certainly . And what kind of faculty in man is that to which imi- tation makes its special appeal ? What do ...
... true . And now tell me , I conjure you — this imitation is con- cerned with an object which is thrice removed from the truth ? Certainly . And what kind of faculty in man is that to which imi- tation makes its special appeal ? What do ...
Seite 166
... true but the verisimilar ; he there- fore represents the idol or simulacrum of the true . The sec- ond species is dramatic - icastic imitation , which always nec- essarily contains the idol of a real person . The third species is ...
... true but the verisimilar ; he there- fore represents the idol or simulacrum of the true . The sec- ond species is dramatic - icastic imitation , which always nec- essarily contains the idol of a real person . The third species is ...
Seite 593
... true that criticism is really , in itself , a baneful and injurious employment ; is it true that all time given to writing critiques on the works of others would be much bet- ter employed if it were given to original composition , of ...
... true that criticism is really , in itself , a baneful and injurious employment ; is it true that all time given to writing critiques on the works of others would be much bet- ter employed if it were given to original composition , of ...
Inhalt
Introduction | 1 |
from Cratylus | 38 |
18 | 54 |
Urheberrecht | |
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action actor Adeimantus admiration Aeneid aesthetic allegory ancient appears Aristotle artist beauty Ben Jonson better called character comedy concept considered Cratylus critics delight Demosthenes discourse divine epic epic poetry Euripides excellent expression fable faculty feeling genius Geoffrey Keynes give gods Greek hath Hermogenes Hesiod Homer Horace human ideas Iliad imagination imitation judge judgment of taste kind knowledge language learned less manner matter means mind moral names nation nature never object observed opinion painter painting particular passion perfect person philosopher Plato play pleasure plot Plotinus poem poesy poet poetic poetry principle produce prose reason relation representation rhyme rules sense signify Socrates Sophocles sort soul speak species spirit sublime theory things thought Three Unities tion tragedy true truth understanding unity verse Virgil virtue whole William Blake words writing Zeus