Critical Theory Since PlatoHazard Adams Harcourt Brace Jovanovich College Publishers, 1992 - 1271 Seiten This outstanding anthology traces major critical statements from classic theorists like Plato to the contemporary. This standard historical textbook in the field focuses on important individual thinkers, and not particular schools of thought or isms. Current selections bring the anthology into contemporary times and show students how critical theory has evolved and progressed over time. |
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Seite 26
... person of another , may we not say that he assimilates his style to that of the person who , as he informs you , is going to speak ? Certainly we may . And this assimilation of himself to another , either by the use of voice or gesture ...
... person of another , may we not say that he assimilates his style to that of the person who , as he informs you , is going to speak ? Certainly we may . And this assimilation of himself to another , either by the use of voice or gesture ...
Seite 233
... person , by the oddness of which , he is immediately distinguished from the rest of men ; which being lively and naturally represented , most frequently begets that malicious pleasure in the audience which is testified by laughter ; as ...
... person , by the oddness of which , he is immediately distinguished from the rest of men ; which being lively and naturally represented , most frequently begets that malicious pleasure in the audience which is testified by laughter ; as ...
Seite 420
... person supplants the world , then the person ceases to be au- tonomous force and subject precisely to the extent that it forces its way into the place of the object - because , in order to become manifest , the principle of permanence ...
... person supplants the world , then the person ceases to be au- tonomous force and subject precisely to the extent that it forces its way into the place of the object - because , in order to become manifest , the principle of permanence ...
Inhalt
Introduction | 1 |
from Cratylus | 38 |
18 | 54 |
Urheberrecht | |
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action actor Adeimantus admiration Aeneid aesthetic allegory ancient appears Aristotle artist beauty Ben Jonson better called character comedy concept considered Cratylus critics delight Demosthenes discourse divine epic epic poetry Euripides excellent expression fable faculty feeling genius Geoffrey Keynes give gods Greek hath Hermogenes Hesiod Homer Horace human ideas Iliad imagination imitation judge judgment of taste kind knowledge language learned less manner matter means mind moral names nation nature never object observed opinion painter painting particular passion perfect person philosopher Plato play pleasure plot Plotinus poem poesy poet poetic poetry principle produce prose reason relation representation rhyme rules sense signify Socrates Sophocles sort soul speak species spirit sublime theory things thought Three Unities tion tragedy true truth understanding unity verse Virgil virtue whole William Blake words writing Zeus