Critical Theory Since PlatoHazard Adams Harcourt Brace Jovanovich College Publishers, 1992 - 1271 Seiten This outstanding anthology traces major critical statements from classic theorists like Plato to the contemporary. This standard historical textbook in the field focuses on important individual thinkers, and not particular schools of thought or isms. Current selections bring the anthology into contemporary times and show students how critical theory has evolved and progressed over time. |
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Seite 377
... object or an action , i.e. some kind of interest . In order to find anything good , I must always know what sort of a thing the object ought to be , i.e. I must have a concept of it . But there is no need of this to find a thing ...
... object or an action , i.e. some kind of interest . In order to find anything good , I must always know what sort of a thing the object ought to be , i.e. I must have a concept of it . But there is no need of this to find a thing ...
Seite 378
... object or a method of representing it by an entirely disinterested satisfaction or dis- satisfaction . The object of such satisfaction is called beautiful.3 Second Moment of the Judgment of Taste , According to Quantity VI . The ...
... object or a method of representing it by an entirely disinterested satisfaction or dis- satisfaction . The object of such satisfaction is called beautiful.3 Second Moment of the Judgment of Taste , According to Quantity VI . The ...
Seite 1171
... object of the ut- terance , the transcendental object , loses its clear contours . The elided object in the sentence relates to a hesitation ( if not an erasure ) of the real object for the speaking subject . That literature is witness ...
... object of the ut- terance , the transcendental object , loses its clear contours . The elided object in the sentence relates to a hesitation ( if not an erasure ) of the real object for the speaking subject . That literature is witness ...
Inhalt
Introduction | 1 |
from Cratylus | 38 |
18 | 54 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Adeimantus admiration Aeneid aesthetic allegory ancient appears Aristotle artist beauty Ben Jonson better called character comedy concept considered Cratylus critics delight Demosthenes discourse divine epic epic poetry Euripides excellent expression fable faculty feeling genius Geoffrey Keynes give gods Greek hath Hermogenes Hesiod Homer Horace human ideas Iliad imagination imitation judge judgment of taste kind knowledge language learned less manner matter means mind moral names nation nature never object observed opinion painter painting particular passion perfect person philosopher Plato play pleasure plot Plotinus poem poesy poet poetic poetry principle produce prose reason relation representation rhyme rules sense signify Socrates Sophocles sort soul speak species spirit sublime theory things thought Three Unities tion tragedy true truth understanding unity verse Virgil virtue whole William Blake words writing Zeus