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principle of sequence, except a separation of the Poetry from the Prose. The dates of their composition, however, are affixed to the principal articles, partly as a matter of possible interest, partly to explain incidental allusions, and partly to vindicate the originality of some of the thoughts and views.

The examination of the philosophy of Dr. Thomas Brown will be observed to engross a prominent share in this compilation. The works of that remarkable writer seem destined to a higher rank amongst the productions of the nineteenth century than they have as yet generally assumed. Symptoms of returning justice in this respect have appeared in different quarters. Even whilst revising for the press this portion of the collection, the author was happy to recognize the lofty estimate placed on the writings of Dr. Brown, in the recently published conversations and letters of so competent an authority as Sydney Smith.

CHARLESTON, S. C., March 1, 1856.

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MEMOIRS

OF

A NEW-ENGLAND VILLAGE CHOIR,

WITH

OCCASIONAL REFLECTIONS.

BY A MEMBER.

REVISED AND CORRECTED FROM THE THIRD EDITION.

"What though no cherubim are here displayed,
No gilded walls, no cedar colonnade,
No crimson curtains hang around our quire,
Wrought by the ingenious artisan of Tyre;

No doors of fir on golden hinges turn;

No spicy gums in golden censers burn;

If humble love, if gratitude inspire,

Our strain shall silence even the temple's quire,

And rival Michael's trump, nor yield to Gabriel's lyre." Pierpont's Airs of Palestine.

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