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... Mr. Dipind, the ill, Leila, si dhe "" };" his friti:
otels: winout when he Lithiid 11
! Inil utrust in the theatres *; Di perisinil Lr Birliyi
et their til try to
her child: use
the ris arioz's tri : ther
Sillian. Piz.ro I. hand
ul. W Vrs, Bingley i.. an
lille ! 's, 'oppi ont of his gr, at gelir. 'rin tiara Ladd', when Kolla conies in s
is not so strong as he was,
ward with a seriek and y
in!".- that the London maha, hin.
; out with an eithusiastic brave Thai 10mluded his applause, Vr. Dolphi'. secretary pal the shoulder, and in " By ... she'll du:
“Who tau:rht her that dodge?" wali nel Bill:
little Mr. Bows in the orchestra
applause, and, as the curtain went down, came round her and congratulated and hated Miss Fotheringay.
Now Mr. Dolphin's appearance in the remote little Chatteris theatre may be accounted for in this manner.
In spite of all his exertions, and the perpetual blazes of triumph, coruscations of talent, victories of good old English comedy, which his play-bills advertised, his theatre (which, if you please, and to injure no present susceptibilities and vested interests, we shall call the Museum Theatre) by no means prospered, and the famous Impresario found himself on the verge of ruin. The great Hubbard had acted legitimate drama for twenty nights, and failed to remunerate anybody but himself: the celebrated Mr. and Mrs. Cawdor had come out in Mr. Rawhead's tragedy, and in their favourite round of pieces, and had not attracted the public. Herr Garbage's lions and tigers had drawn for a little time, until one of the animals had bitten a piece out of the Herr's shoulder, when the Lord Chamberlain interfered, and put a stop to this species of performance; and the grand Lyrical Drama, though brought out with unexampled splendour and success, with Monsieur Poumons as first tenor, and an enormous orchestra, had almost crushed poor Dolphin in its triumphant progress : so that great as his genius and resources were, they seemed to be at an end. He was dragging on his season wretchedly with half salaries, small operas, feeble old comedies, and his ballet company; and everybody was looking out for the day when he should appear in the Gazette.
One of the illustrious patrons of the Museum Theatre, and occupant of the great proscenium-box, was a gentleman whose name has been mentioned in a previous history: that refined patron of the arts, and enlightened lover of music and the drama, the Most Noble the Marquis of Steyne. His Lordship’s avocations as a statesman prevented him from attending the playhouse very often, or coming very early. But he occasionally appearec at the theatre in time for the ballet, and was always received with the greatest respect by the Manager, from whom he sometimes condescended to receive a visit in his box. It communicated with the stage, and when anything occurred there which particularly pleased him, when a new