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To Penrith, Penrhyn, even to Penzance;
Nay, penetrates, perchance,

To Pennsylvania, or, without rash vaunts,
To where the Penguin haunts!

In times bygone, when each man cut his quill,
With little Perryan skill,

What horrid, awkward, bungling tools of trade
Appeared the writing implements home-made!
What Pens were sliced, hewed, hacked, and haggled out,
Slit or unslit, with many a various snout,
Aquiline, Roman, crooked, square, and snubby,
Stumpy and stubby;

Some capable of ladye-billets neat,

Some only fit for ledger-keeping clerk,

And some to grub down Peter Stubbs his mark,
Or smudge through some illegible receipt;
Others in florid caligraphic plans,

Equal to ships, and wiggy heads, and swans!

To try in any common inkstands, then,
With all their miscellaneous stocks,

To find a decent pen,
Was like a dip into a lucky box:

You drew-and got one very curly,
And split like endive in some hurly-burly;
The next unslit, and square at end, a spade ;
The third, incipient pop-gun, not yet made;
The fourth a broom; the fifth of no avail,
Turned upward, like a rabbit's tail;
And last, not least, by way of a relief,
A stump that Master Richard, James or John,
Had tried his candle-cookery upon,
Making "roast-beef!"

Not so thy Perryan Pens!

True to their M's and N's,

They do not with a whizzing zig-zag split,
Straddle, turn up their noses, sulk, and spit,
Or drop large dots,

Hugh full-stop blots,

Where even semicolons were unfit.

They will not frizzle up, or, broom-like, drudge

In sable sludge

Nay, bought at proper "Patent Perryan" shops,

They write good grammar, sense, and mind their stops;
Compose both prose and verse, the sad and merry—
For when the editor, whose pains compile

The grown-up Annual, or the Juvenile,
Vaunteth his articles, not women's, men's,
But lays "by the most celebrated Pens,"
What means he but thy Patent Pens, my Perry?

Pleasant they are to feel!

So firm! so flexible! composed of steel
So finely tempered-fit for tenderest Miss
To give her passion breath,

Or kings to sign the warrant stern of death-
But their supremest merit still is this,
Write with them all your days,
Tragedy, Comedy, all kinds of plays-
(No dramatist should ever be without 'em)—
And, just conceive the bliss-

There is so little of the goose about 'em,
One's safe from any hiss!

Ah! who can paint that first great awful night,
Big with a blessing or a blight,

When the poor dramatist, all fume and fret,
Fuss, fidget, fancy, fever, funking, fright,
Ferment, fault-fearing, faintness-more f's yet:
Flushed, frigid, flurried, flinching, fitful, flat,
Add famished, fuddled, and fatigued, to that;
Funeral, fate-foreboding-sits in doubt,

Or rather doubt with hope, a wretched marriage,
To see his play upon the stage come out;
No stage to him! it is Thalia's carriage,
And he is sitting on the spikes behind it,
Striving to look as if he did n't mind it!

Witness how Beazley vents upon his hat
His nervousness, meanwhile his fate is dealt :
He kneads, molds, pummels it, and sits it flat,
Squeezes and twists it up, until the felt,
That went a beaver in, comes out a rat!

Miss Mitford had mis-givings, and in fright,

Upon Rienzi's night,

Gnawed up one long kid glove, and all her bag, Quite to a rag.

Knowles has confessed he trembled as for life,

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Poole told me that he felt a monstrous pail
Of water backing him, all down his spine---
"The ice-brook's temper"-pleasant to the chine!
For fear that Simpson and his Co. should fail.
Did Lord Glengall not frame a mental prayer,
Wishing devoutly he was Lord knows where?
Nay, did not Jerrold, in enormous drouth,
While doubtful of Nell Gwynne's eventful luck,
Squeeze out and suck

More oranges with his one fevered mouth
Than Nelly had to hawk from north to south?
Yea, Buckstone, changing color like a mullet,
Refused, on an occasion, once, twice, thrice,
From his best friend, an ice,

Lest it should hiss in his own red-hot gullet.

Doth punning Peake not sit upon the points
Of his own jokes, and shake in all his joints,
During their trial?

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And does not Pocock, feeling, like a peacock,
All eyes upon him, turn to very meacock?
And does not Planché, tremulous and blank,
Meanwhile his personages tread the boards,
Seem goaded by sharp swords,
And called upon himself to "walk the plank?"
As for the Dances, Charles and George to boot,
What have they more

Of ease and rest, for sole of either foot,
Than bear that capers on a hotted floor!

Thus pending-does not Matthews, at sad shift
For voice, croak like a frog in waters fenny?—-
Serle seem upon the surly seas adrift?—
And Kenny think he's going to Kilkenny ?---

Haynes Bayly feel Old ditto, with the note
Of Cotton in his ear, a mortal grapple

About his arms, and Adam's apple
Big as a fine Dutch codling in his throat?
Did Rodwell, on his chimney-piece, desire
Or not to take a jump into the fire?

Did Wade feel as composed as music can?
And was not Bernard his own Nervous Man?
Lastly, don't Farley, a bewildered elf,
Quake at the Pantomime he loves to cater,
And ere its changes ring transform himself?
A frightful mug of human delf?
A spirit-bottle-empty of "the cratur ?”
A leaden-platter ready for the shelf?
A thunderstruck dumb-waiter?

To clench the fact,

Myself, once guilty of one small rash act,
Committed at the Surrey,

Quite in a hurry,

Felt all this flurry,
Corporal worry,
And spiritual scurry,
Dram-devil-attic curry!
All going well,

From prompter's bell,
Until befell

A hissing at some dull imperfect dunce

There's no denying

I felt in all four elements at once!

My head was swimming, while my arms were flying! My legs for running-all the rest was frying!

Thrice welcome, then, for this peculiar use,
Thy pens so innocent of goose!

For this shall dramatists, when they make merry,
Discarding port and sherry,
Drink-" Perry!"

Perry, whose fame, pennated, is let loose

To distant lands,

Perry, admitted on all hands,

Text, running, German, Roman,
For Patent Perryans approached by no man!
And when, ah me! far distant be the hour!
Pluto shall call thee to his gloomy bower,
Many shall be thy pensive mourners, many!
And Penury itself shall club its penny
To raise thy monument in lofty place,
Higher than York's or any son of War;
While time all meaner effigies shall bury,
On due pentagonal base

Shall stand the Parian, Perryan, periwigged Perry,
Perched on the proudest peak of Penman Mawr!

A THEATRICAL CURIOSITY.

CRUIKSHANK'S OMNIBUS.

ONCE in a barn theatric, deep in Kent,

A famed tragedian-one of tuneful tongue

Appeared for that night only-'t was Charles Young. As Rolla he. And as that Innocent,

The Child of hapless Cora, on there went

A smiling, fair-hair'd girl. She scarcely flung
A shadow, as she walk'd the lamps among-

So light she seem'd, and so intelligent !
That child would Rolla bear to Cora's lap :

Snatching the creature by her tiny gown,
He plants her on his shoulder,-All, all clap!
While all with praise the Infant Wonder crown,
She lisps in Rolla's ear,-" Look out, old chap,
Or else I'm blow'd if you don't have me down!"

SIDDONS AND HER MAID.

W. S. LANDOR.

Siddons. I leave, and unreluctant, the repast;
The herb of China is its crown at last.
Maiden hast thou a thimble in thy gear?

Maid. Yes, missus, yes.

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