Westward Ho!, Vol. 1 of 3: Or, the Voyages and Adventures of Sir Amyas Leigh, Knight, of Burrough, in the County of Devon, in the Reign of Her Most Glorious Majesty Queen Elizabeth (Classic Reprint)

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FB&C Limited, 14.07.2015 - 336 Seiten
Excerpt from Westward Ho , Vol. 1 of 3: Or, the Voyages and Adventures of Sir Amyas Leigh, Knight, of Burrough, in the County of Devon, in the Reign of Her Most Glorious Majesty Queen Elizabeth

All who have travelled through the delicious scenery of North Devon must needs know the little white town of Bideford, which slopes upwards from its broad tide river paved with yellow sands, and many-arched old bridge where salmon wait for Autumn floods, toward the pleasant upland on the west. Above the town the hills close in, cushioned with deep oak woods, through which juts here and there a crag of fern-fringed slate; below they lower, and Open more and more in softly rounded knolls, and fertile squares of red and green, till they sink into the wide expanse of hazy flats, rich salt marshes, and rolling sand hills, where Torridge joins her sister Taw, and both together flow quietly toward the broad surges of the bar, and the everlasting thunder of the long Atlantic swell. Pleasantly the old.

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Autoren-Profil (2015)

Charles Kingsley, a clergyman of the Church of England, who late in his life held the chair of history at Cambridge University, wrote mostly didactic historical romances. He put the historical novel to new use, not to teach history, but to illustrate some religious truth. Westward Ho! (1855), his best-known work, is a tale of the Spanish main in the days of Queen Elizabeth I. Hypatia: New Foes with Old Faces (1853) is the story of a pagan girl-philosopher who was torn to pieces by a Christian mob. The story is strongly anti-Roman Catholic.. Hereward the Wake, or The Watchful Hereward the Wake, or The Watchful (1866) is a tale of a Saxon outlaw. The Water-Babies (1863), written for Kingsley's youngest child, "would be a tale for children were it not for the satire directed at the parents of the period," said Andrew Lang. Alton Locke (1850) and Yeast (1851) reflect Kingsley's leadership in "muscular Christianity" and his dramatization of social issues.

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