The Works of Shakespeare: The tempest. 1921 |
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Seite xxxvii
132 , to the vulgarizing of his dialogue in this scene . In the Folio , she notes , he is persistent , but controlled for some time . He does not indeed see what Iago is getting at until 3. 3. 178 , when for the first time he speaks ...
132 , to the vulgarizing of his dialogue in this scene . In the Folio , she notes , he is persistent , but controlled for some time . He does not indeed see what Iago is getting at until 3. 3. 178 , when for the first time he speaks ...
Seite xlvii
The last scene Shakespeare is one of the few great writers in modern English literature whom there has been no attempt to ' debunk ' during the past forty years , though Lytton Strachey who started the fashion did his best with the last ...
The last scene Shakespeare is one of the few great writers in modern English literature whom there has been no attempt to ' debunk ' during the past forty years , though Lytton Strachey who started the fashion did his best with the last ...
Seite liii
For I agree with him that human integrity is still possible and that Shakespeare , whether he knew his Aristotle or not , wrote this final scene , as he wrote those of most of his other tragedies , with the double purpose of first ...
For I agree with him that human integrity is still possible and that Shakespeare , whether he knew his Aristotle or not , wrote this final scene , as he wrote those of most of his other tragedies , with the double purpose of first ...
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