Godfather: The Intimate Francis Ford CoppolaUniversity Press of Kentucky Author Gene D. Phillips blends biography, studio history, and film criticism to provide the most comprehensive work available on Francis Ford Coppola. Phillips gained access to the reticent director and his colleagues and examined Coppola's private production journals and screenplays. He reviewed rare copies of Coppola's student films, his early excursions into soft-core pornography, and his less celebrated productions such as One from the Heart and Tucker: The Man and His Dream. Phillips also illuminates the details of the production history of the harrowing 238-day shoot of Apocalypse Now and explains how The Godfather was almost cast without the now iconic Marlon Brando. |
Inhalt
I | xv |
II | xix |
III | 1 |
V | 30 |
VI | 47 |
VII | 81 |
VIII | 83 |
IX | 108 |
XIV | 177 |
XV | 196 |
XVI | 218 |
XVII | 237 |
XVIII | 239 |
XIX | 253 |
XX | 275 |
XXI | 292 |
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Häufige Begriffe und Wortgruppen
actors Al Pacino American Zoetrope Apocalypse artistic audience auteur Barry Malkin Big Boy Biskind Bram Stoker's Dracula Brando brother budget camera Carmine Coppola cast Chaillet and Vincent cinema Conversation Coppola explains Corman Cotton Club crew critics Dean Tavoularis Dementia 13 direct director documentary dream editing Eleanor Coppola Evans Film Editors film's filmmakers final footage Francis Coppola Francis Ford Coppola gangster Gardens of Stone George Lucas Godfather films Godfather II Goodwin and Wise Harry Heart of Darkness Hollywood Jack Kurtz Mafia Milius Motorcycle Boy Movie Material Store musical novel Ohlinger's Movie Material Pacino Paramount Peggy Peggy Sue play Ponyboy postproduction Premiere Production Design Puzo Rain Rainmaker rehearsals release Richard role rough cut Rudy Rumble Fish Rusty-James says Coppola scene screen screenplay script sequence shooting shot Sofia sound track story tion Tucker vampire Vito Corleone Walter Murch wanted Warners Warners-Seven Willard York young Zoetrope Studios