The Quarterly Review (london)Creative Media Partners, LLC, 1865 - 622 Seiten This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
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... artist , as artist , than is generally possible . What we mainly miss is a fuller statement , from letters or from printed criticism , of what Blake's contemporaries thought of him . How much could be collected for this purpose we know ...
... artists , was seriously disfigured by its style . This is the most perfect imitation of Mr. Carlyle's manner we have ever had the ill - fortune to meet with . Perhaps it was not surprising that the peculiar merits of the ' Life of ...
... artist ; indeed , to the angelic eyes which Blake imagined about him , his style might have been already prefigured . Beside the vision quoted above , he had seen a tree at Peckham Rye ( presumably on one of his earliest insights of the ...
... artist the marriage of imagi- nation and reason was never completed . To the close of his life we find Blake more or less unable to distinguish between fact and fancy ; between what he had learnt from other artists , or from the books ...
... artist , stole from Blake , or no , it will not be doubted by those who are acquainted with his works , that he , at any rate , set a powerful impress upon Blake . They appear to have become friends about 1780 , when the ages of the two ...