The Quarterly Review (london)Creative Media Partners, LLC, 1865 - 622 Seiten This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
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... Ancient and Modern . London and Bath , 1766 . 15. The Poctical Farrago ; being a Miscellaneous Assem- blage of Epigrams and other Jeux d'Esprit . 2 vols . London , 1794 . 16. The Panorama of Wit , exhibiting at one view the Choicest ...
... ancient melody have ceased ; Whether in Heaven ye wander fair , Or the green corners of the earth , Or the blue regions of the air , Where the melodious winds have birth : Whether on crystal rocks ye rove Beneath the bosom of the sea ...
... ancient days before this earth appeared in its vegetated mortality to my mortal vegetated eyes . I see our houses of eternity which can never be separated , though our mortal vehicles should stand at the remotest corners of heaven from ...
... ancient or modern . Within Blake's own circle , we know no such spiritual veracity as his - no such intensity . On his frequent ascription of his designs to direct vision , ―the one fact with which he is identified in the popular mind ...
... ancient Prophets . He who does not imagine in stronger and better lineaments , and in stronger and better light , than his perishing mortal eye can see , does not imagine at all . The painter of this work asserts that all his ...