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Seite 95
The ordinary function of dress , of marking social status and sexual identity , is abandoned in favor of more ... Stolen from the media's arsenal of second - rate identities , costume and role become not just disengaged from each other ...
The ordinary function of dress , of marking social status and sexual identity , is abandoned in favor of more ... Stolen from the media's arsenal of second - rate identities , costume and role become not just disengaged from each other ...
Seite 12
sessing both Her body and cinema of pristine cultural / gender identities . ... and the ' insider ' categories ) performing in a continual motion of displacement of a unity identity , ” the film engages the viewer in the cinematic body ...
sessing both Her body and cinema of pristine cultural / gender identities . ... and the ' insider ' categories ) performing in a continual motion of displacement of a unity identity , ” the film engages the viewer in the cinematic body ...
Seite 73
Ambivalence goes back to the self / Other relation of identity and opposition in the Lacanian Imaginary ( the mirror - phase ) . We cannot help but be ambivalent about the image of an Other that is essential to our own identity but not ...
Ambivalence goes back to the self / Other relation of identity and opposition in the Lacanian Imaginary ( the mirror - phase ) . We cannot help but be ambivalent about the image of an Other that is essential to our own identity but not ...
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analysis anthropology appears attempt authority becomes Black body castration Chinese cinema civilization colonial complete constructed continue course critical cultural death desire difference discourse discussion distance dominant effect essay ethnography ethnology example exist experience expression fact female female body femininity feminist figure film function gender give hand human identity issue kind knowledge language lesbian living look Madame male masculine masquerade meaning mother narrative nature never non-Han Notes notion object offers organs perhaps person play pleasure political position possessed possible postmodern practice present problem produce question reading reality refers relation represent representation role scene sense sexual social society sound space speak structure Studies suggests theory things thought tion traditional turn University voice Western woman women writing York youth