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Seite 103
Madame X , in continuation of the pirate's project , takes up one aspect of dominant culture , the display of cultural flotsam , and carries it to the ultimate limits of rupture . Thus the film comes to resemble a museum , yet a museum ...
Madame X , in continuation of the pirate's project , takes up one aspect of dominant culture , the display of cultural flotsam , and carries it to the ultimate limits of rupture . Thus the film comes to resemble a museum , yet a museum ...
Seite 126
For Luce Irigaray , following Lacan , womanliness as masquerade is submission to " the dominant economy of desire in an attempt to remain ' on the market ' in spite of everything . " . This is surely relevant to the analysis of ...
For Luce Irigaray , following Lacan , womanliness as masquerade is submission to " the dominant economy of desire in an attempt to remain ' on the market ' in spite of everything . " . This is surely relevant to the analysis of ...
Seite 117
the " end " of one's hermeneutics ( which may mean " the goal " or " the point at which something ceases " ' ) ; that is , when , at the end of an exploration of the dominant and “ minority " cultures within China , one encounters ...
the " end " of one's hermeneutics ( which may mean " the goal " or " the point at which something ceases " ' ) ; that is , when , at the end of an exploration of the dominant and “ minority " cultures within China , one encounters ...
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analysis anthropology appears attempt authority becomes Black body castration Chinese cinema civilization colonial complete constructed continue course critical cultural death desire difference discourse discussion distance dominant effect essay ethnography ethnology example exist experience expression fact female female body femininity feminist figure film function gender give hand human identity issue kind knowledge language lesbian living look Madame male masculine masquerade meaning mother narrative nature never non-Han Notes notion object offers organs perhaps person play pleasure political position possessed possible postmodern practice present problem produce question reading reality refers relation represent representation role scene sense sexual social society sound space speak structure Studies suggests theory things thought tion traditional turn University voice Western woman women writing York youth