Discourse, Bände 11-121988 |
Im Buch
Ergebnisse 1-3 von 77
Seite 122
... production purposes only thinly disguised . As propa- gandistic power was not kept in check , the need for liberalist or humanist camouflaging became diminished . " Aside from political functions , the non - Han women on screen provided ...
... production purposes only thinly disguised . As propa- gandistic power was not kept in check , the need for liberalist or humanist camouflaging became diminished . " Aside from political functions , the non - Han women on screen provided ...
Seite 176
... production . But also , each of these first articles focuses on a region of Black cinematic production , the US , Britain and Anglophone Africa , that when taken together gives the reader the important comprehension of Black emergent ...
... production . But also , each of these first articles focuses on a region of Black cinematic production , the US , Britain and Anglophone Africa , that when taken together gives the reader the important comprehension of Black emergent ...
Seite 177
... production in Anglophone Africa in print in English . While Diawara's observations about the obstacles to the development of a fully popular and commercially viable Black cinema in Africa parallel many of the issues Snead and Pines ...
... production in Anglophone Africa in print in English . While Diawara's observations about the obstacles to the development of a fully popular and commercially viable Black cinema in Africa parallel many of the issues Snead and Pines ...
Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic American analysis Anderson anthropology artist avant-garde becomes butch-femme Chicago Chinese cinema Clockwork Orange Cocteau colonial contemporary context critical critique Death in Venice deconstruction desire discourse dominant essay ethnography ethnology female body feminine feminism feminist film film's flâneur Foucault Freud function gender gesture human identity ideology individual intellectuals issue jazz John Cage Lacan language Laurie Anderson lesbian literature Madame Madame X male Mapplethorpe Mary Ann Doane masculine masquerade mass culture meaning Milhaud modern modernist narrative nature non-Han object performance phallus photographs pleasure political pornography postmodern practice production psychoanalysis punk question reading reality relation represent representation ritornellos Robert Mapplethorpe role Sartre scene sense Sex Pistols sexual difference signifier social society sound space structure Studies subcultural theoretical theory tion traditional trans University Valie Export viewer voice Western woman women writing York youth