Discourse, Ausgaben 5-8 |
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Seite 7
... word , the words of the students and those of the working class , the inventive or quoted word , the political , poetic , pedagogical or messianic word , the word without words , and the noise - word , from the night on the barri- cades ...
... word , the words of the students and those of the working class , the inventive or quoted word , the political , poetic , pedagogical or messianic word , the word without words , and the noise - word , from the night on the barri- cades ...
Seite 52
... word " frame . " Frame . The word , taken as is from French ( cadre ) does not exist in Russian prior to its introduction into the film vocabulary . There is therefore nothing pictorial in the word kadr , the film frame . At least there ...
... word " frame . " Frame . The word , taken as is from French ( cadre ) does not exist in Russian prior to its introduction into the film vocabulary . There is therefore nothing pictorial in the word kadr , the film frame . At least there ...
Seite 60
... word , a second definition might be proposed here ( to be added to the first one without repudiating it ) . The attraction is what is attracted by the theme treated . ( Once again , and as before , for " fragment " , this play on words ...
... word , a second definition might be proposed here ( to be added to the first one without repudiating it ) . The attraction is what is attracted by the theme treated . ( Once again , and as before , for " fragment " , this play on words ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing