Discourse, Ausgaben 5-8 |
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Seite 41
... theoretical system ( s ) by all the " accidents❞ of life . A theory that is " not cut off from life " -that is the very least that can be said about Eisenstein's theoretical writings . But if this symbiosis of production , creation ...
... theoretical system ( s ) by all the " accidents❞ of life . A theory that is " not cut off from life " -that is the very least that can be said about Eisenstein's theoretical writings . But if this symbiosis of production , creation ...
Seite 42
... theoretical self - service counter . " ( FW 3 , p . 227 ; an unpublished fragment dated 1944 , not in RW ) ( 2 ) At the same time there is a will in him to anchor his some- times very risky concepts in the most solid referential grounds ...
... theoretical self - service counter . " ( FW 3 , p . 227 ; an unpublished fragment dated 1944 , not in RW ) ( 2 ) At the same time there is a will in him to anchor his some- times very risky concepts in the most solid referential grounds ...
Seite 8
... theoretical debate that many exper- imental filmmakers have begun to work " at the limits of narrative , " exploring the radical possibilities of story - telling . Since the result- ing films straddle the gap between popular cinema and ...
... theoretical debate that many exper- imental filmmakers have begun to work " at the limits of narrative , " exploring the radical possibilities of story - telling . Since the result- ing films straddle the gap between popular cinema and ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing