Discourse, Ausgaben 5-8 |
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Seite 135
... symbolic character typing . It is important to emphasize that this is a mode of character typ- ing radically different from those previously used by Eisenstein . The Mensheviks of October are typed as Mensheviks , i.e. , as occupants of ...
... symbolic character typing . It is important to emphasize that this is a mode of character typ- ing radically different from those previously used by Eisenstein . The Mensheviks of October are typed as Mensheviks , i.e. , as occupants of ...
Seite 18
... symbolic in its own discourse , and therefore erupts into a discourse of otherness , poetry , colour , sound , rhythm . She asso- ciates the semiotic with the pre - Oedipal , with the mother's body , evoking both the place of motherhood ...
... symbolic in its own discourse , and therefore erupts into a discourse of otherness , poetry , colour , sound , rhythm . She asso- ciates the semiotic with the pre - Oedipal , with the mother's body , evoking both the place of motherhood ...
Seite 20
... symbolic alternative . So that polit- ically speaking , it is only the symbolic , a new sym- bolism , a new law , that can challenge the dominant law . 14 Mitchell brings out an important point : it is the Oedipal that defines the pre ...
... symbolic alternative . So that polit- ically speaking , it is only the symbolic , a new sym- bolism , a new law , that can challenge the dominant law . 14 Mitchell brings out an important point : it is the Oedipal that defines the pre ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing