Discourse, Ausgaben 5-8 |
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Seite 125
Eisenstein's sound films marked a regression , insofar as their use of editing was concerned . As a result of the acquisition of a better knowledge of S.M.E.'s writings , this point of view has been revised . It is now felt that the sound ...
Eisenstein's sound films marked a regression , insofar as their use of editing was concerned . As a result of the acquisition of a better knowledge of S.M.E.'s writings , this point of view has been revised . It is now felt that the sound ...
Seite 128
... sound track ( facilitated by the distinct character of the betrayal theme ) : Euphrosinia's phrase : " Ivan , you're going too far ! " ; the musical theme ( betrayal ) ; the sound of the drops falling from the vial of poison into the ...
... sound track ( facilitated by the distinct character of the betrayal theme ) : Euphrosinia's phrase : " Ivan , you're going too far ! " ; the musical theme ( betrayal ) ; the sound of the drops falling from the vial of poison into the ...
Seite 130
... sound belongs more to the music track than to the sound - effects track ) . And , intertwined with these three elements , the musical theme scans the whole passage , or , more precisely , it has the effect of putting the whole of the ...
... sound belongs more to the music track than to the sound - effects track ) . And , intertwined with these three elements , the musical theme scans the whole passage , or , more precisely , it has the effect of putting the whole of the ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing