Discourse, Ausgaben 5-8 |
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Seite 63
... reference to the class analysis of society , carried out by Marxist science , that the knowledge of the public aimed at ( the real public ? ) is determined and , therefore , that a film is calculated . Of course , the reference to ...
... reference to the class analysis of society , carried out by Marxist science , that the knowledge of the public aimed at ( the real public ? ) is determined and , therefore , that a film is calculated . Of course , the reference to ...
Seite 74
... reference ( in the sense in which that word implies a taking out of guarantees , of security ) of the " creative ... references is extended almost endlessly , always under the cover of the " dialectic " ) . But theory does not intervene ...
... reference ( in the sense in which that word implies a taking out of guarantees , of security ) of the " creative ... references is extended almost endlessly , always under the cover of the " dialectic " ) . But theory does not intervene ...
Seite 100
... references . These references , which immedi- ately situate the characters in a double discourse - that of the fic- tional diegesis and the historical referent into which it bleeds- , entail a narrative trajectory entirely given to ...
... references . These references , which immedi- ately situate the characters in a double discourse - that of the fic- tional diegesis and the historical referent into which it bleeds- , entail a narrative trajectory entirely given to ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing