Discourse, Ausgaben 5-8 |
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Seite 51
... precisely everything against which Eisenstein is struggling - the illusion of continuity and homogeneity , transparency ) , or rather , at the moment of the " jump " from one fragment to another . Concerning the productivity of the rela ...
... precisely everything against which Eisenstein is struggling - the illusion of continuity and homogeneity , transparency ) , or rather , at the moment of the " jump " from one fragment to another . Concerning the productivity of the rela ...
Seite 52
... precisely , its relationship to what it is made out of ( what is sometimes called the " profilmic " 12 ) . Here it is a question of shooting ( prise de vue ) -and the characteristic of the Eisensteinian frag- ment is here , precisely ...
... precisely , its relationship to what it is made out of ( what is sometimes called the " profilmic " 12 ) . Here it is a question of shooting ( prise de vue ) -and the characteristic of the Eisensteinian frag- ment is here , precisely ...
Seite 56
... precisely , since he calls and will , toward the end of his life , call repeat- edly for a view of creation as " spontaneity overflowing with joie de vivre , " it is the expression of his absolute mastery . He is the Mozart of the ...
... precisely , since he calls and will , toward the end of his life , call repeat- edly for a view of creation as " spontaneity overflowing with joie de vivre , " it is the expression of his absolute mastery . He is the Mozart of the ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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