Discourse, Ausgaben 5-8 |
Im Buch
Ergebnisse 1-3 von 77
Seite 36
... position outside of history , as a kind of blank page , upon which such a collapse is written . The film is full of performances within the film , full of scenes structured by variations on the theme of woman as object of spectacle ...
... position outside of history , as a kind of blank page , upon which such a collapse is written . The film is full of performances within the film , full of scenes structured by variations on the theme of woman as object of spectacle ...
Seite 102
... position with a position of knowledge ( knowledge defined instrumentally as that which serves the interests of a given class : " the dominant ideas of the age are usually the ideas of those who dominate ” ) . But insofar as Brecht ...
... position with a position of knowledge ( knowledge defined instrumentally as that which serves the interests of a given class : " the dominant ideas of the age are usually the ideas of those who dominate ” ) . But insofar as Brecht ...
Seite 110
... position of women among the post - 68 left , or the relation of exper- ience to knowledge in the sphere of politics ... position : the position of a feminism struggling to achieve an alliance with Marxism . 20 At the same time , there is ...
... position of women among the post - 68 left , or the relation of exper- ience to knowledge in the sphere of politics ... position : the position of a feminism struggling to achieve an alliance with Marxism . 20 At the same time , there is ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing