Discourse, Ausgaben 5-8 |
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Seite 50
... Never reprinted since in Russian . Not included in RW , FW1 , p . 138 ) Such a formulation would seem to place him unequivocally on the side of that " tinker - toy cinema " which Metz , in his already cited text , sees as a " sumptuous ...
... Never reprinted since in Russian . Not included in RW , FW1 , p . 138 ) Such a formulation would seem to place him unequivocally on the side of that " tinker - toy cinema " which Metz , in his already cited text , sees as a " sumptuous ...
Seite 78
... never stop leaping out of one another's pockets . ) Ecstasy inasmuch as it belongs to pathos , is very logically first of all defined , or rather , justified , in terms of effectiveness . Even when he envisages certain forms of ecstasy ...
... never stop leaping out of one another's pockets . ) Ecstasy inasmuch as it belongs to pathos , is very logically first of all defined , or rather , justified , in terms of effectiveness . Even when he envisages certain forms of ecstasy ...
Seite 3
Introduction The Other of the West , the Other of man : one is never installed within marginality , one never dwells outside it . Of im- portance to the texts included in this issue is the place / s of post- colonial woman as writing ...
Introduction The Other of the West , the Other of man : one is never installed within marginality , one never dwells outside it . Of im- portance to the texts included in this issue is the place / s of post- colonial woman as writing ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing