Discourse, Ausgaben 5-8 |
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Seite 14
... less for what it expresses than for what it reveals , less for what it is than for what it sets off . Its significance is absorbed in its reverberations . It is only an echo , a mirror of society , a gap . One may wonder what the death ...
... less for what it expresses than for what it reveals , less for what it is than for what it sets off . Its significance is absorbed in its reverberations . It is only an echo , a mirror of society , a gap . One may wonder what the death ...
Seite 56
... less " trapped " -quite the contrary . ) Finally , all the work on the duration of camera angles and depth of field in Ivan the Terrible ( a real depth of field , even if it occasionally operates as a denial of depth , as in the very ...
... less " trapped " -quite the contrary . ) Finally , all the work on the duration of camera angles and depth of field in Ivan the Terrible ( a real depth of field , even if it occasionally operates as a denial of depth , as in the very ...
Seite 30
... less fixed , less unitary , and more flexible than male individuality , both in its primary core and in the entire maturational complex developed from this core , " 26 but patiently to dismantle the very notion of core ( be it static or ...
... less fixed , less unitary , and more flexible than male individuality , both in its primary core and in the entire maturational complex developed from this core , " 26 but patiently to dismantle the very notion of core ( be it static or ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing