Discourse, Ausgaben 5-8 |
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Seite 52
... least potential meaning and , at the very least , representa- tion . ) - Eisenstein , who did not shy away from plays on words , on several occasions connected the Russian word obraz ( image ) — more punningly than etymologically , it ...
... least potential meaning and , at the very least , representa- tion . ) - Eisenstein , who did not shy away from plays on words , on several occasions connected the Russian word obraz ( image ) — more punningly than etymologically , it ...
Seite 115
... least in so far as figuration and representation are concerned ) the scenic analogy and tends to become writing . ( The close - up consequently standing metonymically for everything which functions as a " supplement " with respect to ...
... least in so far as figuration and representation are concerned ) the scenic analogy and tends to become writing . ( The close - up consequently standing metonymically for everything which functions as a " supplement " with respect to ...
Seite 89
... least provided a dominant strain ; at the very least we can say that , historically , there has 89 609.
... least provided a dominant strain ; at the very least we can say that , historically , there has 89 609.
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing