Discourse, Ausgaben 5-8 |
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Seite 19
... imaginary bases of subjectivity - the part played there by identification and imitation . She also suggests that imaginary operations , like symbolic ones , find their locus in gender , since despite the economic and social gulf which ...
... imaginary bases of subjectivity - the part played there by identification and imitation . She also suggests that imaginary operations , like symbolic ones , find their locus in gender , since despite the economic and social gulf which ...
Seite 98
... Imaginary specific to film to emerge as politically significant . Secondly , the fact that structural and linguistic ... Imaginary , which they interrogate and deconstruct not on the side of the Symbolic , but by different kinds of ...
... Imaginary specific to film to emerge as politically significant . Secondly , the fact that structural and linguistic ... Imaginary , which they interrogate and deconstruct not on the side of the Symbolic , but by different kinds of ...
Seite 90
... Imaginary . He accrues the power of a constituting discourse , and she assumes the enigmatic qualities of an image ... imaginary existences . It is a way the men have of speaking to each other . This situation will always be problematic ...
... Imaginary . He accrues the power of a constituting discourse , and she assumes the enigmatic qualities of an image ... imaginary existences . It is a way the men have of speaking to each other . This situation will always be problematic ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing