Discourse, Ausgaben 5-8 |
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Seite 36
... gaze in Lili Marleen is by no means unproblematic , however . Henkel , the Nazi who " discovers " Willie and arranges for the recording of the song , might seem a likely candidate for the privileged role of spectator within the film ...
... gaze in Lili Marleen is by no means unproblematic , however . Henkel , the Nazi who " discovers " Willie and arranges for the recording of the song , might seem a likely candidate for the privileged role of spectator within the film ...
Seite 74
... gaze of the other constructs her . Her skeleton , her vertebrae , are forged in the intensity of the gaze . From this comes her solidity , the perfect assembly of her joints without a hint of creaking , the pride of her bearing : chin ...
... gaze of the other constructs her . Her skeleton , her vertebrae , are forged in the intensity of the gaze . From this comes her solidity , the perfect assembly of her joints without a hint of creaking , the pride of her bearing : chin ...
Seite 91
... gaze of the other gives the Porteña a feeling of strength : " her skeleton , her vertabrae , are forged in the intensity of the gaze . From this comes the solidity , the perfect assembly of her joints ... the pride of her bearing " ( BA ...
... gaze of the other gives the Porteña a feeling of strength : " her skeleton , her vertabrae , are forged in the intensity of the gaze . From this comes the solidity , the perfect assembly of her joints ... the pride of her bearing " ( BA ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing