Discourse, Ausgaben 5-8 |
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Seite 19
... female subjectivity within phallocentric culture . It stands for what might be called the " symbolic logic " of sexual differentiation . The mirror relationship of the two shots in the montage sequence draws our attention to a second ...
... female subjectivity within phallocentric culture . It stands for what might be called the " symbolic logic " of sexual differentiation . The mirror relationship of the two shots in the montage sequence draws our attention to a second ...
Seite 30
... female voice - over in Redupers , although it remains extra - diegetic throughout , is less intimately identified with the central character , and lacks a specific point of address . Experimentation with the female voice is a regular ...
... female voice - over in Redupers , although it remains extra - diegetic throughout , is less intimately identified with the central character , and lacks a specific point of address . Experimentation with the female voice is a regular ...
Seite 30
... female identity ... that varies from the male model , " and to demonstrate that " primary identity for women is more flexible and relational than for men . Female gender identity is more stable than male gender identity . Female ...
... female identity ... that varies from the male model , " and to demonstrate that " primary identity for women is more flexible and relational than for men . Female gender identity is more stable than male gender identity . Female ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing