Discourse, Ausgaben 5-8 |
Im Buch
Ergebnisse 1-3 von 81
Seite 32
... course , the ubiquitous voice - over that directs our view of the images and transactions on the screen . The structure of the film is derived , not from any narrative progression or character development , but rather from the course ...
... course , the ubiquitous voice - over that directs our view of the images and transactions on the screen . The structure of the film is derived , not from any narrative progression or character development , but rather from the course ...
Seite 48
... course , it should be clear that the very notion of ' diegesis ' is not absolutely relevant here , not so much because of the complexity of this embedding of sequences within each other ( after all , even Hollywood directors like ...
... course , it should be clear that the very notion of ' diegesis ' is not absolutely relevant here , not so much because of the complexity of this embedding of sequences within each other ( after all , even Hollywood directors like ...
Seite 68
... course , you will have perhaps become aware of a problem here . " I " am speaking but seem to be speaking the voice of a fic- tional other . You may wonder , who is the I ? Well , I am obsessed with that , too . You see , it strikes me ...
... course , you will have perhaps become aware of a problem here . " I " am speaking but seem to be speaking the voice of a fic- tional other . You may wonder , who is the I ? Well , I am obsessed with that , too . You see , it strikes me ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
1 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing