Discourse, Ausgaben 5-8 |
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Seite 117
... completely negated by the rigorous order of the composition . " But if he is able to make his point so easily , that is due to ( at least ) two oversights on his part . First of all , his analysis is based on a still photograph , and it ...
... completely negated by the rigorous order of the composition . " But if he is able to make his point so easily , that is due to ( at least ) two oversights on his part . First of all , his analysis is based on a still photograph , and it ...
Seite 89
... completely sublimated in Frye's own discourse by the key word " literature , " which cannot be deconstructed : I began to understand the extent to which this al- most one - dimensional country has been preoccu- pied with communications ...
... completely sublimated in Frye's own discourse by the key word " literature , " which cannot be deconstructed : I began to understand the extent to which this al- most one - dimensional country has been preoccu- pied with communications ...
Seite 47
... completely , so that defeat could be forgotten ! ... But every movement which would recall the rage of the ancestors is irreme- diably frozen , redoubling the immobility which makes women prisoners . * * * In the oral tradition of ...
... completely , so that defeat could be forgotten ! ... But every movement which would recall the rage of the ancestors is irreme- diably frozen , redoubling the immobility which makes women prisoners . * * * In the oral tradition of ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing