Discourse, Ausgaben 5-8 |
Im Buch
Ergebnisse 1-3 von 57
Seite 115
... camera remained immobile and the same lense was used throughout , all the effects were obtained by means of the actors ' move- ments towards or away from the camera , in the form of a violent con- tradiction precisely between effects of ...
... camera remained immobile and the same lense was used throughout , all the effects were obtained by means of the actors ' move- ments towards or away from the camera , in the form of a violent con- tradiction precisely between effects of ...
Seite 14
... camera . This is of course a camera style we associate with newsreel footage exposed under stressful conditions . It has consequently come to connote " history " and " facticity . " Here , however , it seems to be the visual correlative ...
... camera . This is of course a camera style we associate with newsreel footage exposed under stressful conditions . It has consequently come to connote " history " and " facticity . " Here , however , it seems to be the visual correlative ...
Seite 119
... Camera Obscura no . 2 5. Guillaume Apollinaire , " Un Beau Film " , L'Hérésiarque et Cie , 1910 ( engl . translation in Sight and Sound , July - Sept . 1952 , pp . 40-41 ) 6. Kaja Silverman , " Helke Sander and the Will to Change ...
... Camera Obscura no . 2 5. Guillaume Apollinaire , " Un Beau Film " , L'Hérésiarque et Cie , 1910 ( engl . translation in Sight and Sound , July - Sept . 1952 , pp . 40-41 ) 6. Kaja Silverman , " Helke Sander and the Will to Change ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
1 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing