Discourse, Ausgaben 5-8 |
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Seite 88
... porteño , to be from the port- city of Buenos Aires , is to be from somewhere else . There is still no authentic root to Argentinian / porteño identity unless it is the lack of this unifying feature . These early immigrants were at ...
... porteño , to be from the port- city of Buenos Aires , is to be from somewhere else . There is still no authentic root to Argentinian / porteño identity unless it is the lack of this unifying feature . These early immigrants were at ...
Seite 89
... Porteño in the text possesses an enormous appetite . Facing the void , the Porteño eats : “ Pizza or death ! Gefilte fish or the terrifying feeling of ignoring the why's and how's , the profound reason for his destiny " ( BA 38 ) . It ...
... Porteño in the text possesses an enormous appetite . Facing the void , the Porteño eats : “ Pizza or death ! Gefilte fish or the terrifying feeling of ignoring the why's and how's , the profound reason for his destiny " ( BA 38 ) . It ...
Seite 95
... Porteño makes believe that Buenos Aires and Europe are similar . In Buenos Aires the writer vacillates between scorn of the porteño mimicry of European standards and values and the difficulty of ascertaining cultural distinctions in the ...
... Porteño makes believe that Buenos Aires and Europe are similar . In Buenos Aires the writer vacillates between scorn of the porteño mimicry of European standards and values and the difficulty of ascertaining cultural distinctions in the ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing