Discourse, Ausgaben 5-8 |
Im Buch
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Seite 63
... Marxism- Leninism . All the texts of the first Eisenstein are there to bear witness to this . It is in reference to the class analysis of society , carried out by Marxist science , that the knowledge of the public aimed at ( the real ...
... Marxism- Leninism . All the texts of the first Eisenstein are there to bear witness to this . It is in reference to the class analysis of society , carried out by Marxist science , that the knowledge of the public aimed at ( the real ...
Seite 16
... Marxism . It also indicates what hap- pens to those differences when the women de - activate their subjectivity within the discourse of Marxism , and take up residence instead within the discourse of feminism . This displacement is ...
... Marxism . It also indicates what hap- pens to those differences when the women de - activate their subjectivity within the discourse of Marxism , and take up residence instead within the discourse of feminism . This displacement is ...
Seite 26
... Marxism . The former is shown to be more dangerous than the latter because of its seemng receptivity to other alienated discourses - a receptivity which foretells recuperation . The Subjective Factor suggests that terrorism functions ...
... Marxism . The former is shown to be more dangerous than the latter because of its seemng receptivity to other alienated discourses - a receptivity which foretells recuperation . The Subjective Factor suggests that terrorism functions ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing