Discourse, Ausgaben 5-8 |
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Seite 36
... Lili Marleen is a tale about spectacle is obvious enough . If Lili Marleen recreates the dynamic of fascism , whereby the public and the private are totally collapsed one onto the other , it is the woman's position outside of history ...
... Lili Marleen is a tale about spectacle is obvious enough . If Lili Marleen recreates the dynamic of fascism , whereby the public and the private are totally collapsed one onto the other , it is the woman's position outside of history ...
Seite 38
... Lili Marleen as the author and Resistance leader Gunther Weisenborn . Fassbinder - Weisenborn is a figure of authorship and authority , both acting out and parodying those strategies whereby von Sternberg's relationship to Dietrich was ...
... Lili Marleen as the author and Resistance leader Gunther Weisenborn . Fassbinder - Weisenborn is a figure of authorship and authority , both acting out and parodying those strategies whereby von Sternberg's relationship to Dietrich was ...
Seite 40
... Lili Marleen as a critical film . See " Lili Marleen : Fascism and the Film Indus- try , " October , 21 ( Summer 1982 ) , 115-140 . 11. See Elsaesser's discussion of the recording studio scene , ibid . , p . 131 . 12. Ibid . , p . 129 ...
... Lili Marleen as a critical film . See " Lili Marleen : Fascism and the Film Indus- try , " October , 21 ( Summer 1982 ) , 115-140 . 11. See Elsaesser's discussion of the recording studio scene , ibid . , p . 131 . 12. Ibid . , p . 129 ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing