Discourse, Ausgaben 5-8 |
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Seite 35
... Kluge's depiction , we might well be in the fifties . Further , the most basic politics of abortion are altered . The major villain is the rival woman abortionist who does sloppy work and informs on Roswitha ; not a word about the ...
... Kluge's depiction , we might well be in the fifties . Further , the most basic politics of abortion are altered . The major villain is the rival woman abortionist who does sloppy work and informs on Roswitha ; not a word about the ...
Seite 36
In interviews , Kluge himself has denied that the humor ridicules or demeans the character , indeed denies that Roswitha's actions are necessarily intended as comedic . Instead , Kluge offers a different view of the female characters ...
In interviews , Kluge himself has denied that the humor ridicules or demeans the character , indeed denies that Roswitha's actions are necessarily intended as comedic . Instead , Kluge offers a different view of the female characters ...
Seite 72
... Kluge's own The Patriot . 11. Negt / Kluge , Offentlichkeit und Erfahrung : Zur Organisationsanalyse von bürgerlicher und proletarischer Offentlichkeit ( Frankfurt / M .: Suhrkamp , 1972 ) . For a first English summary of this book ...
... Kluge's own The Patriot . 11. Negt / Kluge , Offentlichkeit und Erfahrung : Zur Organisationsanalyse von bürgerlicher und proletarischer Offentlichkeit ( Frankfurt / M .: Suhrkamp , 1972 ) . For a first English summary of this book ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing