Discourse, Ausgaben 5-8 |
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Seite 51
... speaking about terorism and about German history , a difficulty which demands that the spectatorm , too , find an adequate response . Notes 1. Deutschland im Herbst ( Germany in Autumn , INTRODUCTION TO GERMANY IN AUTUMN 51.
... speaking about terorism and about German history , a difficulty which demands that the spectatorm , too , find an adequate response . Notes 1. Deutschland im Herbst ( Germany in Autumn , INTRODUCTION TO GERMANY IN AUTUMN 51.
Seite 71
... Germany in Autumn is given in Marc Silberman's paper read at the Milwaukee Conference , reprinted here . Also see Miriam Hansen , " Cooperative Auteur Cinema and Oppositional Public Sphere : Alexander Kluge's contribution to Germany in ...
... Germany in Autumn is given in Marc Silberman's paper read at the Milwaukee Conference , reprinted here . Also see Miriam Hansen , " Cooperative Auteur Cinema and Oppositional Public Sphere : Alexander Kluge's contribution to Germany in ...
Seite 83
Germany in Autumn as a whole , though , provided more than a momentary alternative to the institutionalized self - serving that directors . like Fassbinder knew well . Clear connections to subsequent joint ven- tures such as Der ...
Germany in Autumn as a whole , though , provided more than a momentary alternative to the institutionalized self - serving that directors . like Fassbinder knew well . Clear connections to subsequent joint ven- tures such as Der ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing