Discourse, Ausgaben 5-8 |
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Seite 3
... German Cinema , and popular culture . Miriam Hansen is Assistant Professor at Rutgers University . She has pubished ... German and Film at the University of Wisconsin - Milwaukee and was conference organizer of " German Avant - Garde ...
... German Cinema , and popular culture . Miriam Hansen is Assistant Professor at Rutgers University . She has pubished ... German and Film at the University of Wisconsin - Milwaukee and was conference organizer of " German Avant - Garde ...
Seite 46
... German Critique , No. 16 ( Winter 1979 ) , p . 34 . 16. See the materials presented in New German Critique , No. 13 , as well as the summary of the frauen and film critiques of Kluge quoted and summarized in Dawson's Alexander Kluge ...
... German Critique , No. 16 ( Winter 1979 ) , p . 34 . 16. See the materials presented in New German Critique , No. 13 , as well as the summary of the frauen and film critiques of Kluge quoted and summarized in Dawson's Alexander Kluge ...
Seite 81
... German filmmakers , at least the male vanguard of the " New German Cinema , " this everyone - for - himself approach became the prevalent modus vivendi . ( Feminist filmmakers , for the most part ghettoized and ignored by the mainstream ...
... German filmmakers , at least the male vanguard of the " New German Cinema , " this everyone - for - himself approach became the prevalent modus vivendi . ( Feminist filmmakers , for the most part ghettoized and ignored by the mainstream ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept construction context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing