Evangelical Disenchantment: Nine Portraits of Faith and DoubtYale University Press, 01.12.2008 - 256 Seiten In this engaging and at times heartbreaking book, David Hempton looks at evangelicalism through the lens of well-known individuals who once embraced the evangelical tradition, but later repudiated it. The author recounts the faith journeys of nine creative artists, social reformers, and public intellectuals of the nineteenth and twentieth centuries, including such diverse figures as George Eliot, Elizabeth Cady Stanton, Vincent van Gogh, and James Baldwin. Within their highly individual stories, Hempton finds not only clues to the development of these particular creative men and women but also myriad insights into the strengths and weaknesses of one of the fastest growing religious traditions in the modern world. Allowing his subjects to express themselves in their own voices--through letters, essays, speeches, novels, apologias, paintings--Hempton seeks to understand the factors at work in the shaping of their religious beliefs, and how their negotiations of faith informed their public and private lives. The nine were great public communicators, but in private often felt deep uncertainties. Hempton's moving portraits highlight common themes among the experiences of these disillusioned evangelicals while also revealing fresh insights into the evangelical movement and its relations to the wider culture. Featuring portraits of: - George Eliot- Frances W. Newman- Theodore Dwight Weld- Sarah Grimke- Elizabeth Cady Stanton- Frances Willard- Vincent van Gogh- Edmund Gosse- James Baldwin |
Im Buch
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Seite 11
... relationships, hidden influences, circumstances, and public taste. Even exhaustively researched, full-scale biographies ... relationship between evangelicalism and cul- ture. I have selected individuals whose faith transactions, creative ...
... relationships, hidden influences, circumstances, and public taste. Even exhaustively researched, full-scale biographies ... relationship between evangelicalism and cul- ture. I have selected individuals whose faith transactions, creative ...
Seite 15
... relationships with family, women, and fellow painters. Van Gogh's flir- tation with evangelicalism was characteristically intense and unstable. To his own mental instability were the added pressures of coming of age in a period of ...
... relationships with family, women, and fellow painters. Van Gogh's flir- tation with evangelicalism was characteristically intense and unstable. To his own mental instability were the added pressures of coming of age in a period of ...
Seite 40
... relationship with George Henry Lewes . A combination of poor scholarly judgment , personal weakness , and moral frailty conspired to derail her commitment to the evangelical Christianity of her youth . In its place she substituted a ...
... relationship with George Henry Lewes . A combination of poor scholarly judgment , personal weakness , and moral frailty conspired to derail her commitment to the evangelical Christianity of her youth . In its place she substituted a ...
Seite 59
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Inhalt
1 | |
19 | |
Evangelicalism and Mission | 41 |
Evangelicalism and Reform | 70 |
Evangelicalism and Feminism | 92 |
Evangelicalism and Secularization | 114 |
Evangelicalism and Childhood | 139 |
Evangelicalism and Race | 163 |
Enchantment and Disenchantment | 187 |
Notes | 199 |
Index | 225 |
Andere Ausgaben - Alle anzeigen
Evangelical Disenchantment: Nine Portraits of Faith and Doubt David Hempton Keine Leseprobe verfügbar - 2013 |
Evangelical Disenchantment: Nine Portraits of Faith and Doubt David Hempton Keine Leseprobe verfügbar - 2008 |
Häufige Begriffe und Wortgruppen
Angelina Angelina Grimké antislavery Baghdad became believe Bible biblical biographies brother Charles Christ church conversion creed criticism culture Cumming Cumming's Darby death disenchanted disenchantment doctrine dogma early Edmund Gosse Elizabeth Cady Stanton England English Essays eternal evan evangelical Christianity evangelical religion evangelical tradition experience father Finney Francis Newman friends gelical George Eliot Gogh’s gospel Gosse’s Grimké sisters heart holiness human Ibid infidelity intellectual interpretation James Baldwin Jesus John Henry John Henry Newman John Nelson Darby journey later Lewis Tappan liberal lives London Methodist millennial moral narratives nature nineteenth century Oxford painting passion Phases of Faith piety Plymouth Brethren preacher preaching reform relationship repudiated revival Sarah Grimké Scripture secularization seems sense sermon sexual slavery social soul spiritual Theo Theodore Dwight Weld theological thought tion truth University Press Victorian Vincent van Gogh Weld Weld-Grimké Letters Weld’s Willard woman women writes wrote York