Lessons in Elocution, Or, A Selection of Pieces in Prose and Verse: For the Improvement of Youth in Reading and SpeakingMarsh, Capen & Lyon, 1831 - 372 Seiten |
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Seite 3
... humanity , 7. Industry and application , 8. Proper employment of time , ibid . Sallust , ib . Spectator , Tattler , 65 Spectator , 67 Chesterfield , 70 Knox , 73 Spectator , 75 Percival's Tales , 79 Spectator , ib . Blair , 80 ibid ...
... humanity , 7. Industry and application , 8. Proper employment of time , ibid . Sallust , ib . Spectator , Tattler , 65 Spectator , 67 Chesterfield , 70 Knox , 73 Spectator , 75 Percival's Tales , 79 Spectator , ib . Blair , 80 ibid ...
Seite 4
... human life , 1. Description of the amphitheatre of Titus , 2. Reflections in Westminster Abbey , 3. The character of Mary queen of Scots , 4. The character of queen Elizabeth , 5. Charles V's resignation of his dominions , 6. Importance ...
... human life , 1. Description of the amphitheatre of Titus , 2. Reflections in Westminster Abbey , 3. The character of Mary queen of Scots , 4. The character of queen Elizabeth , 5. Charles V's resignation of his dominions , 6. Importance ...
Seite 5
... human character , 5. The painter who pleased nobody and every body , 7. The toilet , Spectator , 194 Goldsmith , ib . Gay , 195 Pope , 196 ibid . 198 8. The hermit , 9. On the death of Mrs. Mason , 10. Extract from the temple of fame ...
... human character , 5. The painter who pleased nobody and every body , 7. The toilet , Spectator , 194 Goldsmith , ib . Gay , 195 Pope , 196 ibid . 198 8. The hermit , 9. On the death of Mrs. Mason , 10. Extract from the temple of fame ...
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... human frame contributes to express the passions and emotions of the mind , and to show in gene- ral its present state . The head is sometimes erected , some- times hung down , sometimes drawn . suddenly back with an air of disdain ...
... human frame contributes to express the passions and emotions of the mind , and to show in gene- ral its present state . The head is sometimes erected , some- times hung down , sometimes drawn . suddenly back with an air of disdain ...
Seite 27
... human mind , and touch the soul of the spectator , as if the picture , or sta tue , spoke the pathetic language of Shakespeare . It is no wonder then , that masterly action , joined with powerful clo- cution , should be irresistible ...
... human mind , and touch the soul of the spectator , as if the picture , or sta tue , spoke the pathetic language of Shakespeare . It is no wonder then , that masterly action , joined with powerful clo- cution , should be irresistible ...
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