Language and Verbal Art Revisited: Linguistic Approaches to the Study of LiteratureThis volume, meant for both specialists and non-specialists, will appeal to both the growing number of scholars working in, and students needing to investigate, the field of literary linguistics, or stylistics. Inspired by Ruqaiya Hasan's conviction that, [] in verbal art the role of language is central. Here language is not as clothing to the body; it IS the body (1985/1989: 91), the papers are on a wide variety of aspects of the language-literature connection, and approach it from diverse perspectives and methodological frameworks, including Systemic Functional Linguistics, pragmatics, corpus linguistics, ethnolinguistics, cultural and translation studies. A wide range of literary genres and world literatures are analyzed, including Shakespeare's plays; modern Austrian authors writing in German (e.g., Thomas Bernhard); Perrault's Histoires et contes du temps pass? and their translations by Angela Carter; the Spanish poets of the Generaci'n del '50; Malaysian-Singaporean poets in English; Anglo-American Modernist poets (Frost, Stevens, Pound and Lawrence) and novelists (Woolf and Conrad); a short story by Marina Warner and Turkish-German narrative by Feridun Zamolu; The Gospel of St. John and Harry Potter. Separate introductions to each of the contributions seek to guide above all the non-specialist reader by describing and comparing the frameworks that the volume comprises. A general introduction diachronically traces key moments in the development of the study of the language of literature seen as socio-cultural practice. |
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Seite 204
Although the simple past is the customary tense of narration , the use of the
present perfect can be justified in all those cases in which events are perceived
as being closely related to the present . As there are no textual indications of this
204 ...
Although the simple past is the customary tense of narration , the use of the
present perfect can be justified in all those cases in which events are perceived
as being closely related to the present . As there are no textual indications of this
204 ...
Seite 205
present . As there are no textual indications of this kind ( i . e . no reference to the
here - and - now present is to be found in this segment of the story ) , translators
are free to make their own choices . The text displays what is often thought of as ...
present . As there are no textual indications of this kind ( i . e . no reference to the
here - and - now present is to be found in this segment of the story ) , translators
are free to make their own choices . The text displays what is often thought of as ...
Seite 206
2 Verbs As I have already pointed out , the simple past tense has been used for
the narration of the principal events , whereas the present perfect and a number
of other tenses ( present , past continuous ) have been adopted to distinguish the
...
2 Verbs As I have already pointed out , the simple past tense has been used for
the narration of the principal events , whereas the present perfect and a number
of other tenses ( present , past continuous ) have been adopted to distinguish the
...
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Inhalt
Introduction | 1 |
grammatical | 41 |
examples from | 68 |
Urheberrecht | |
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analysis approach articulation become Bernhard better Big Brother called characters close collocation communication comparative complex concerned considered context continues corpus created critical cultural dark described direct report discourse English example existence experience expression fact Figure fishermen foregrounding free direct function genres German give grammar Halliday happened Hasan Heart human idea important indirect instance interpretation kanak kind language Lawrence linguistic literary literature living London meaning narrator nature night noted novel parallelism particular patterns play poem poet poetic poetry position possible present Press projecting clause question quote reader reading reference relation role seen semantic semiotic sense sentence social specific speech structure style stylistics symbolic textual theme theory things thought translation typical University verbal art verbs volume writing York