Language and Verbal Art Revisited: Linguistic Approaches to the Study of LiteratureThis volume, meant for both specialists and non-specialists, will appeal to both the growing number of scholars working in, and students needing to investigate, the field of literary linguistics, or stylistics. Inspired by Ruqaiya Hasan's conviction that, [] in verbal art the role of language is central. Here language is not as clothing to the body; it IS the body (1985/1989: 91), the papers are on a wide variety of aspects of the language-literature connection, and approach it from diverse perspectives and methodological frameworks, including Systemic Functional Linguistics, pragmatics, corpus linguistics, ethnolinguistics, cultural and translation studies. A wide range of literary genres and world literatures are analyzed, including Shakespeare's plays; modern Austrian authors writing in German (e.g., Thomas Bernhard); Perrault's Histoires et contes du temps pass? and their translations by Angela Carter; the Spanish poets of the Generaci'n del '50; Malaysian-Singaporean poets in English; Anglo-American Modernist poets (Frost, Stevens, Pound and Lawrence) and novelists (Woolf and Conrad); a short story by Marina Warner and Turkish-German narrative by Feridun Zamolu; The Gospel of St. John and Harry Potter. Separate introductions to each of the contributions seek to guide above all the non-specialist reader by describing and comparing the frameworks that the volume comprises. A general introduction diachronically traces key moments in the development of the study of the language of literature seen as socio-cultural practice. |
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Seite 27
If symbolic articulation is the grammar that construes the meaning configuration
called theme , then any claims about theme have to be argued by analysing that
grammar , i . e . by showing that the structuring of foregrounding indeed supports
...
If symbolic articulation is the grammar that construes the meaning configuration
called theme , then any claims about theme have to be argued by analysing that
grammar , i . e . by showing that the structuring of foregrounding indeed supports
...
Seite 71
... first introduced by Newton and Leibniz ( in fact , Newton aptly called his a
theory of ' fluxions ' , or units of change ) Thought experiments in verbal art.
... first introduced by Newton and Leibniz ( in fact , Newton aptly called his a
theory of ' fluxions ' , or units of change ) Thought experiments in verbal art.
Seite 160
This ma 9 < p > The Romans called the spirit or GHOST of a dead person his
manes or mares , 10 like one returning from the dead , a ghost ( the allusion is to
the drowning of ' P 11 and distaste . Surely the dead man ' s ghost would object to
...
This ma 9 < p > The Romans called the spirit or GHOST of a dead person his
manes or mares , 10 like one returning from the dead , a ghost ( the allusion is to
the drowning of ' P 11 and distaste . Surely the dead man ' s ghost would object to
...
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Inhalt
Introduction | 1 |
grammatical | 41 |
examples from | 68 |
Urheberrecht | |
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