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EPILOGUE

то THE

SA TIRE S.

WRITTEN IN MDCCXXXVIII.

DIALOGUE I. Fr. Not twice a twelvemonth you appear in Print,

“And when it comes, the Court see nothing in't.

You

VARIATIONS.

After Ver. 2. in the MS.

You don't, I hope, pretend to quit the trade,
Because you think your reputation made :
Like good Sir Paul, of whom so much was said,
That when his name was up, he lay a-bed.
Come, come, refresh us with a livelier song,
Or, like St. Paul, you'll lie a-bed too long.
P. Sir, what I write, should be correctly writ.
F. Correct ! 'tis what no genius can admit..

Befides, you grow too moral for a Wit.

NOTES.

Ver. 1. Not twice a twelvemonth, &c.] These two lines are from Horace; and the only lines that are so in the whole Poem ; being meant to give a handle to that which follows in the charace ter of an impertinent Censurer, “ 'Tis all from Horace,” &c.

Pope. . By long habit of writing, and almost constantly in one sort of measure, he had now arrived at a happy and elegant familiarity of

* 3

Ayle,

You grow correct that once with Rapture writ,
And are, besides, too moral for a Wit..
Decay of Parts, alas ! we all must feel
Why now, this moment, don't I see you steal ?

'Tis

NOTES

style, without fatness. The satire in these pieces is of the strongest kind ; sometimes, direct and declamatory, at others, ironical and oblique. It must be owned to be carried to excess. Our country is represented as totally ruined, and overwhelmed with dissipation, depravity, and corruption. Yet this very country, fo emasculated and debased by every species of folly and wickedness, in about twenty years afterwards, carried its triumphs over all its enemies, through all the quarters of the world, and astonished the most diftant nations with a display of uncommon efforts, abilities, and virtue. So vain and groundless are the prognostications of poets, as well as politicians. It is to be wilhed, that a genius could be found to write an One Thousand Seven Hundred and Sixty-one, as a counter-part to these two Dialogues, which were more diligently laboured, and more frequently corrected than any of our Author's compositions. I have often heard Mr. Dodsley say, that he was employed by the Author to copy them fairly. Every line was then written twice over; a clean transcript was then delivered to Mr. Pope, and when he afterwards sent it to Mr. Dudsley to be printed, he found every line had been written twice over a second time. Swift tells our Author, these Dialogues are equal, if not superior, to any part of his works. They are, in truth, more Horatian, than the professed Imitations of Horace. They at first were intitled, from the gear in which they were published, One Thousand Seven Hundred And Thirty-eight. They were afterwards called, fantastically enough, Epilogue to the Satires, as the Epistle to Arbuthnot was intitled Prologue to the Satires. It is remarkable that the first was published the very same morning with Johnfon's admirable London; which Pope much approved, and fearched diligently for the Author, who lived then in obfcurity. London had a second edition in a week. Pope has himself given mure notes and illustrations on these Dialogues than on any other of his poems.

WARTON. Ver. 2. fee nothing int.] He used this colloquial (I will not say · barbarism, but) abbreviation, to imitate familiar conversation.

WARTON.

tells our Authe works. The Horace.

'Tis all from Horace; Horace long before ye Said, “ Tories call’d him Whig, and Whigs a Tory;" And taught his Romans, in much better metre, “ To laugh at Fools who put their trust in Peter."

But Horace, Sir, was delicate, was nice; Bubo observes, he lash'd no sort of Vice : Horace would say, Sir Billy servd the Crown, Blunt could do busness, H-ggins knew the Town, In Sappho touch the Failings of the Sex, 15 In rev'rend Bishops note some small Neglects,

And

NOTES.

Ver. 9, 10. And taught his Romans, in much better metre,

To laugh at Fools who put their trus in Peter."] The general turn of the thought is from Boileau, “ Avant lui, Juvénal avoit dit en Latin,

Qu'on eft affis à l'aise aux sermons de Cotin." Ver. 12. Bubo observes,] Some guilty person, very fond of making such an observation.

POPE. Bubo is said to mean Mr. Doddington, afterward Lord Mel. combe.

WARTON. Pope has before claffed together “ Sir Will, and Bubo.” See note on that line, Prologue to the Satires.

Ver. 13 Horace would say, ] The business of the friend here introduced is to diffuade our Poet from personal invectives. But he dexterously turns the very advice he is giving into the bittereft latire. Sir Billy was Sir William Young, who, from a great flu. ency, was often employed to make long speeches till the minister's friends were collected in the House.

WARTON. Ver. 14. H-ggins] Formerly Gaoler of the Fleet prison, en. riched himself by many exactions, for which he was tried and expelled.

POPR. He was the father of the Author of the absurd and prosaic Translation of Ariosto ; an account of him is given in the Ancodotes of Hogarth.

WARTON

ted in the wake long speecho, from a greaterett

And own, the Spaniard did a waggish thing,
Who cropt our Ears, and sent them to the King.
His fly, polite, insinuating style
Could please at Court, and make Augustus smile:
An artful Manager, that crept between

21 His Friend and Shame, and was a kind of Screen. But ’faith your very Friends will soon be sore; Patriots there are, who wish you'd jest no more

And

VARIATIONS.

After Ver. 26. in the MS.

There's honest Tacitus * once talk'd as big,
But is he now an independant Wbig?
* Mr. Thomas Gordon, who was bought off by a place at Courta

NOTES.
VER. 15. In Sappho touch] In former Editions,
Sir George of some slight gallantries suspect.

WARTON. Ver. 18. Who cropt our Ears,] Said to be executed by the Captain of a Spanish Ship on one Jenkins, a Captain of an English one. He cut off his cars, and bid him carry them to the King his Master.

Pope. VER. 18. Who cropt our Ears,] This circumstance has been ludicrously called by Burke, “the Fable of Captain Jenkins's Ears !” See Coxe's Memoirs. Ver. 22. Screen.

« Omne vafer vitium ridenti Flaccus amico

Tangit, et admissus circum præcordia ludit.” Pers. A metaphor peculiarly appropriated to a certain perfon in power.

. . . Pope. , Ver. 24. Patriots there are, &c.] This appellation was gene. rally given to those in opposition to the Court. Though some of them (which our Author hints at) had views too mean and interested to deserve that name,

Pope.

boch" the Philippics, from the Diger We mult not

And where's the Glory ? 'twill be only thought 25
The Great man never offer'd you a groat.
Go see Sir ROBERT-

P. See Sir Robert !_hum-
And never laugh—for all my life to come ?
Seen him I have, but in his happier hour
Of Social Pleasure, ill-exchang'd for Pow'r; 30

Seen NOTES. . ‘VER 26. That Great men] A phrase, by common use, appro. priated to the first Minister.

Pope. Ver. 27. Go fee Sir Robert] We must not judge of this minister's character from the Dissertation on Parties, nor from the eloquent Philippics, for eloquent they were, uttered against him in both Houses of Parliament. Hume has drawn his portrait with candour and impartiality. And some of his most vehement anta. gonists, particularly the great Lord Chatham, lived to allow the merits of that long and pacific ministry, which so much extended the commerce, and consequently enlarged the riches of this country.

WARTON. The noblest monument that has been raised to the memory of Sir Robert Walpole, has been by Mr. Coxe, who, from sources of authentic information, has moft ably illustrated the eventful period of our History, during the administration of Sir Robert. There is not a circumstance or character connected with the Hiftory of the time, but what has received new light from that accurate and elegant historian.

Ver. 29. Seen him I have, &c.] The pleasant, amiable character of Sir Robert in private life, is here most admirably touched. Lady M. W. Montagu's portrait of this eminent statesman, in his character as a private man, gives, also a most pleasing idea of him :

On seeing a Portrait of Sir Robert Walpole.
Such were the lively eyes, and rosy hue,
Of Robin's face, when Robin first I knew,
The gay companion, and the favorite guest, i
Lov'd without awe, and without fear caress’d,
His cheerful smile, and open honest look,
Added new graces to the truths he spoke. ..

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