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Seite 41
... result , Ryan feels his own powerless- ness . Traditionally , in the philosophy of touch , the so - called theo- retical model has been central , in which the subject touches the object in order to gain knowledge of that object . But ...
... result , Ryan feels his own powerless- ness . Traditionally , in the philosophy of touch , the so - called theo- retical model has been central , in which the subject touches the object in order to gain knowledge of that object . But ...
Seite 43
... result , he develops a newfound desire to encounter the reciprocal possi- bilities in the world , but the film does not resolve the issue of how successfully he fulfills this desire . In connection to what happens to Ryan , it could be ...
... result , he develops a newfound desire to encounter the reciprocal possi- bilities in the world , but the film does not resolve the issue of how successfully he fulfills this desire . In connection to what happens to Ryan , it could be ...
Seite 88
... result , this imagined act of putting affords a desired product , a formula ex- pressing quantitatively the " spacetime volume " of the D - brane . Polchinski goes on to argue that " it is straightforward to sepa- rate the two kinds of ...
... result , this imagined act of putting affords a desired product , a formula ex- pressing quantitatively the " spacetime volume " of the D - brane . Polchinski goes on to argue that " it is straightforward to sepa- rate the two kinds of ...
Inhalt
Biopower Bodies the Exhibition and the Spectacle of Public Health | 10 |
Skin in the Making of Cinematic Consciousness | 35 |
A rebours as Allegory for the World | 49 |
Urheberrecht | |
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