English Critical Essays: (sixteenth, Seventeenth, and Eighteenth Centuries)Edmund David Jones H. Milford, Oxford University Press, 1930 - 460 Seiten |
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Seite 134
... scene ought to be continued through the play , in the same place where it was laid in the beginning : for , the stage on which it is represented being but one and the same place , it is unnatural to conceive it many , - and those far ...
... scene ought to be continued through the play , in the same place where it was laid in the beginning : for , the stage on which it is represented being but one and the same place , it is unnatural to conceive it many , - and those far ...
Seite 148
... scene in the Troades , where Ulysses is seeking for Astyanax to kill him there you see the tenderness of a mother so ... scenes of passion in Shakespeare , or in Fletcher : for love scenes , you will find few among them ; their tragic ...
... scene in the Troades , where Ulysses is seeking for Astyanax to kill him there you see the tenderness of a mother so ... scenes of passion in Shakespeare , or in Fletcher : for love scenes , you will find few among them ; their tragic ...
Seite 173
... scene lies under it . This gentle- man is called away , and leaves his servant with his mistress ; presently her father is heard from within ; the young lady is afraid the serving - man should be discovered , and thrusts him into a ...
... scene lies under it . This gentle- man is called away , and leaves his servant with his mistress ; presently her father is heard from within ; the young lady is afraid the serving - man should be discovered , and thrusts him into a ...
Häufige Begriffe und Wortgruppen
action admiration Aeneas Aeneid ancients Aristotle beauties Ben Jonson better betwixt blank verse character Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden English epic epic poetry Eugenius Euripides excellent fable Faerie Queene fame father fault French genius give Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation invention Jonson judge judgement kind labour language Latin learning lines Lisideius lived manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher Pindar Plato Plautus play plot poem Poesy poet poetical poetry praise prose reader reason rhyme Roman rules scene sense sentiments Shakespeare Silent Woman sometimes Sophocles speak spirit stage stanza syllables things thought tion tragedy translated trochee true truth Virgil virtue words write written