English Critical Essays: (sixteenth, Seventeenth, and Eighteenth Centuries)Edmund David Jones H. Milford, Oxford University Press, 1930 - 460 Seiten |
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Seite 75
... language as ever art can make them , being such as the ear of itself doth marshal in their proper rooms ; and they of themselves will not willingly be put out of their rank , and that in such a verse as best comports with the nature of ...
... language as ever art can make them , being such as the ear of itself doth marshal in their proper rooms ; and they of themselves will not willingly be put out of their rank , and that in such a verse as best comports with the nature of ...
Seite 310
... language of the age is never the language of poetry ; except among the French , whose verse , where the thought or image does not support it , differs in nothing from prose . Our poetry , on the contrary , has a language peculiar to ...
... language of the age is never the language of poetry ; except among the French , whose verse , where the thought or image does not support it , differs in nothing from prose . Our poetry , on the contrary , has a language peculiar to ...
Seite 449
... language is unlike the language of other poets . In the character of his Elegy I rejoice to concur with the common reader ; for by the common sense of readers uncorrupted with literary preju- dices , after all the refinements of ...
... language is unlike the language of other poets . In the character of his Elegy I rejoice to concur with the common reader ; for by the common sense of readers uncorrupted with literary preju- dices , after all the refinements of ...
Häufige Begriffe und Wortgruppen
action admiration Aeneas Aeneid ancients Aristotle beauties Ben Jonson better betwixt blank verse character Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden English epic epic poetry Eugenius Euripides excellent fable Faerie Queene fame father fault French genius give Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation invention Jonson judge judgement kind labour language Latin learning lines Lisideius lived manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher Pindar Plato Plautus play plot poem Poesy poet poetical poetry praise prose reader reason rhyme Roman rules scene sense sentiments Shakespeare Silent Woman sometimes Sophocles speak spirit stage stanza syllables things thought tion tragedy translated trochee true truth Virgil virtue words write written