English Critical Essays: (sixteenth, Seventeenth, and Eighteenth Centuries)Edmund David Jones H. Milford, Oxford University Press, 1930 - 460 Seiten |
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Seite 190
... imagination ? since the mind of man does naturally tend to truth ; and therefore the nearer any thing comes to the imitation of it , the more it pleases . 6 Thus , you see , your rhyme is uncapable of expressing the greatest thoughts ...
... imagination ? since the mind of man does naturally tend to truth ; and therefore the nearer any thing comes to the imitation of it , the more it pleases . 6 Thus , you see , your rhyme is uncapable of expressing the greatest thoughts ...
Seite 205
... imagination would raise either irregularly or loosely ; at least , if the poet commits errors with this help , he would make greater and more without it : ' tis , in short , a slow and painful , but the surest kind of working . Ovid ...
... imagination would raise either irregularly or loosely ; at least , if the poet commits errors with this help , he would make greater and more without it : ' tis , in short , a slow and painful , but the surest kind of working . Ovid ...
Seite 244
... imagination being fired with that agitation sets the very things before our eyes , and consequently makes us have the same passions that we should have from the things themselves . For the warmer the imagination is , the more present ...
... imagination being fired with that agitation sets the very things before our eyes , and consequently makes us have the same passions that we should have from the things themselves . For the warmer the imagination is , the more present ...
Häufige Begriffe und Wortgruppen
action admiration Aeneas Aeneid ancients Aristotle beauties Ben Jonson better betwixt blank verse character Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden English epic epic poetry Eugenius Euripides excellent fable Faerie Queene fame father fault French genius give Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation invention Jonson judge judgement kind labour language Latin learning lines Lisideius lived manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher Pindar Plato Plautus play plot poem Poesy poet poetical poetry praise prose reader reason rhyme Roman rules scene sense sentiments Shakespeare Silent Woman sometimes Sophocles speak spirit stage stanza syllables things thought tion tragedy translated trochee true truth Virgil virtue words write written