English Critical Essays: (sixteenth, Seventeenth, and Eighteenth Centuries)Edmund David Jones H. Milford, Oxford University Press, 1930 - 460 Seiten |
Im Buch
Ergebnisse 1-3 von 53
Seite 237
... greater ode , they must necessarily derive their pre - eminence from the subjects of which they treated , since it has been plainly made to appear that they could not derive it from any external or internal advantage . And it follows ...
... greater ode , they must necessarily derive their pre - eminence from the subjects of which they treated , since it has been plainly made to appear that they could not derive it from any external or internal advantage . And it follows ...
Seite 241
... greater poetry - I mean either sacred in their own natures , or by their manner of handling them . That passion is more to be derived from a sacred subject than from a profane one . We have proved that passion is the chief thing in ...
... greater poetry - I mean either sacred in their own natures , or by their manner of handling them . That passion is more to be derived from a sacred subject than from a profane one . We have proved that passion is the chief thing in ...
Seite 302
... greater variety to his numbers . But this practice is more particularly remarkable in the names of persons and of countries , as Beelzebub , Hessebon , and in many other particulars , wherein he has either changed the name , or made use ...
... greater variety to his numbers . But this practice is more particularly remarkable in the names of persons and of countries , as Beelzebub , Hessebon , and in many other particulars , wherein he has either changed the name , or made use ...
Häufige Begriffe und Wortgruppen
action admiration Aeneas Aeneid ancients Aristotle beauties Ben Jonson better betwixt blank verse character Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden English epic epic poetry Eugenius Euripides excellent fable Faerie Queene fame father fault French genius give Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation invention Jonson judge judgement kind labour language Latin learning lines Lisideius lived manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher Pindar Plato Plautus play plot poem Poesy poet poetical poetry praise prose reader reason rhyme Roman rules scene sense sentiments Shakespeare Silent Woman sometimes Sophocles speak spirit stage stanza syllables things thought tion tragedy translated trochee true truth Virgil virtue words write written