4 1 3 4 4 I 4 3. I I 2 4 3 I abominable, academy, arc', a'rcher, avarice, &c. Bag' gage, ball, balance, ballad, ballet, I 3 I I 2 ban', baʼndage, a 243 Chai'se, chevalie'r, chart'è, blan’che, connoiffêu'r. Dac'tyle, daddă, da`nger, dat'e, debauchee'. Ecla't, ecclesiaft'ic, e'cho, eclip'fe, Ke'rmes, kib'la. La'bial, legal, lib'eral, liêu'. Machin'e, marine. Na'fal, negoc'e, nec'tar. Oblique, oeilla'de. 2 32 3 I 3 Parr, pannier, pa`pift. Qua'rt, quatrain. Ragout, reg'icide, rab'bin. Soup, fource, fub'tile, fubt'le. Te'te a tè'te, tour. Ulc'er, un'ion, u'rine. vedette. Xang'ti, xenia, xebec'. Yacht, ya'm. Zenith, I give the preced'ing ta'ble of terminations and word's, a's a fmall' fpecimen of the grea't ea'fe with which 2 I 3 I I 2 tong'ue, which' i's but a very rich' com'pound of the When a foci'ety of good' and learned Gen'tlemen fhall have published new' book's, containing all the wealth' I 3 3 I 3 2 and beau'tics of the anc'ients and moderns; we may I fom'e of which' a're it's multiplicity of na'fal voŵ'els the hiffing ss of it's conjunctives; the repeated rof I 3 I I 4 it's future tenf'es; it's impolite and obfce'ne expreffions; I 2 I 3 3 I 2 4.2 4 I French has a very plea'sing (liaifon) catena, a'nd is Bong' fyllables; for which' reafon o'nly, it is more uni I 4 3 I 2 3 3 verfally ftudied than the English; which of late feem's I I 4 1 $2 I travest'ed into a gab'ble of short fyllables and contractions. 24 4 2 4 the one with that' of the oth'er na'tion. 2 I I 2 Mi'fers clip' oûr coîn', with a view to enrich' themfe'lves. But why 'Tis co'pious*, flor'id, plea'sing to the ea'r; 3 With foft'ness more perhap's, than oûrs can bear. Drawn to French wi're, would through whole pa'ges fhine. 2 3 3 2 I Why should we' fuffer any nation to surpass' oû'rs in I 2 4 I I 2 3 moft' perfect that ever exift'ed: Why' fhould' we not I 4 2 3 I 2 I I fashion, any more than the fo'rmer? The art of fpeak' 21 IV3 4 I 21 2 ing, being the art of all ath'er a'rts and fences, most 2 4 4 I I I V 2 2 I 2 I good' fubjects in general; and that' of our Legislature I 4 3 4 in particular, INTRODUCTION. I 3 3 E I 3 2 I 2 I MUST beg leave to introduce my h'umble Effay, u'nder the aufpi'ces of the celebrated John'fon, Afh' and 234 Sheridan-thus': I 2 I 2 2. I "Most of the writers of E'ng-lish Grammar have theŷ a're writ'ten; withoût' confid'ering, that' of E'ng lish, as of all' liv'ing tongues, there are two' pronuncia tions; one curf'ory and collo-quial, t'he other reg'ular is more pe'rmanent, lefs' remote from orthography and lefs' liable to capricious innovation. They ha've gen'-er |