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Seite 76
Guy must first experience himself as foreign before he can master his own transgressive desires . Recognizing himself in Bruno enables Guy to displace those desires onto him . He does not desire Miriam's death , Bruno does .
Guy must first experience himself as foreign before he can master his own transgressive desires . Recognizing himself in Bruno enables Guy to displace those desires onto him . He does not desire Miriam's death , Bruno does .
Seite 97
This regressive loop fueled by desire / fear is a quite different dynamic from the operations of the momentary textual effects of a desire uncontaminated by fear , effects which poststructuralist critics sometimes gender as feminine and ...
This regressive loop fueled by desire / fear is a quite different dynamic from the operations of the momentary textual effects of a desire uncontaminated by fear , effects which poststructuralist critics sometimes gender as feminine and ...
Seite 121
She writes that “ negative aesthetics can act as a motor force in the early phases of a movement , initiating and expressing the desire for change . " Thus she endorses in her own films an “ aesthetic ' scorched earth policy ' ” ( 164 ) ...
She writes that “ negative aesthetics can act as a motor force in the early phases of a movement , initiating and expressing the desire for change . " Thus she endorses in her own films an “ aesthetic ' scorched earth policy ' ” ( 164 ) ...
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Inhalt
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
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action aesthetic American appears argues artists authority become body Center construction continues critical culture death described desire destruction discourse discussion effect emotions essay event example existence experience expression fact female feminine feminist figure film Freud function gender hand happening homosexual human idea identity important individual interest issues kind language living look male Marxism material means mother mourning movement narrative nature notes object painting performance performance art perhaps person play political position possible postmodern practice present problem production question reading reality reference relation remains representation represented seems sense sexual shadow social society space speak stage story structure Studies suggests television theater theory things thought tion traditional trans turn University virtual voice woman women writing York